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LADY GAGA RETURNS WITH 8 NEW SONGS ON THE FAME MONSTER

kronaz — Thu, 05 Nov 2009 12:01:11 +0000

(Santa Monica, CA) – Lady Gaga announced today that she will release The Fame Monster, a re-package of her 4 million-selling album The Fame. The album will include the entire breakthrough album The Fame, along with eight entirely new songs. The Fame Monster (Streamline/KonLive/Cherrytree/Interscope Records), deals with the seamier side of fame, as experienced by Gaga over the course of her last history-making year. The new version will be released on November 24, 2009.

Says Lady Gaga, “On my re-release The Fame Monster, I wrote about everything I didn’t write on The Fame. While traveling the world for two years, I’ve encountered several monsters, each represented by a different song on the new record: my ‘Fear of Sex Monster,’ my ‘Fear of Alcohol Monster,’ my ‘Fear of Love Monster,’ my ‘Fear of Death Monster,’ my ‘Fear of Loneliness Monster,’ etc.”

“I spent a lot of nights in Eastern Europe, and this album is a pop experimentation with industrial/Goth beats, 90′s dance melodies, an obsession with the lyrical genius of 80′s melancholic pop, and the runway. I wrote while watching muted fashion shows and I am compelled to say my music was scored for them. I also composed a ballad for the album, ‘Speechless,’ a song for my father, and it’s my favorite work of all. I wrote every piece on the road – no songs about money, no songs about fame. I wrote it for my fans, so I wrote everything in between.”

The first club-banging single, the RedOne-produced “Bad Romance,” will be released in early November. Other collaborators on the new tracks include Teddy Riley, Rodney Jerkins, Ron Fair and Fernando Garibay.

Lady Gaga is also in the process of planning her next tour after her co-headlining tour with Kanye West was canceled last week.

Lady Gaga Announces ‘The Monster Ball’

kronaz — Tue, 03 Nov 2009 11:37:59 +0000

NEW TOUR BEGINS NOVEMBER 27 IN MONTREAL
International pop superstar Lady Gaga today announced plans for her next North American tour, entitled “The Monster Ball.” The tour will begin on November 27 in Montreal, and will wind up on January 21, 2010 in Gaga’s hometown, New York City. Kid Cudi will be the supporting act for the entire tour.

Says Lady Gaga, “The Haus of Gaga had been designing ‘The Monster Ball’ for premiere in 2010 at the O2 Arena in London, but due to diligent work and preparation, ‘The Monster Ball’ will begin on November 27 in Montreal. ‘The Monster Ball’ is a multimedia artistic experience in the style of the first-ever ‘pop electro opera.’”

Lady Gaga will release a re-package of her breakthrough album, The Fame, called The Fame Monster, earlier that week, on November 23. The re-package will include eight brand new songs, including the club-banging first single “Bad Romance.” Continues Lady Gaga, “A message to all my little monsters: The Fame Monster will come out four days before the first live show. You have exactly 96 hours to learn all of the lyrics so you can sing along. Dress accordingly.”

The dates for “The Monster Ball” are:

November 27 – Montreal, Quebec, Canada – The Bell Center
November 28 – Toronto, Ontario, Canada – Air Canada Center
November 29 – Ottawa, Ontario, Canada – Scotiabank Place
December 01 – Boston, MA – Wang Center
December 02 – Boston, MA – Wang Center
December 03 – Camden, NJ – Susquehanna
December 09 – Vancouver, BC, Canada – Queen Elizabeth Theatre
December 10 – Vancouver, BC, Canada – Queen Elizabeth Theatre
December 13 – San Francisco, CA – Bill Graham Civic
December 18 – Las Vegas, NV – TBD
December 19 – San Diego, CA – San Diego Sports Arena
December 21 – Los Angeles, CA – Nokia Theatre
December 29 – Atlanta, GA – Fox Theater
December 31 – Miami, FL – Knight Center
January 03 – Orlando, FL – The Hard Rock
January 07 – St. Louis, MO – The Fox
January 08 – Chicago, IL – Chicago Theatre
January 09 – Chicago, IL – Chicago Theatre
January 12 – Detroit, MI – Fox Theater
January 16 – Atlantic City, NJ – Borgata
January 20 – New York, NY – Radio City Music Hall
January 21 – New York, NY – Radio City Music Hall

The Monster Ball Tour On-Sales

kronaz — Sun, 01 Nov 2009 11:23:55 +0000

Tickets for The Monster Ball go on sale to the general public as early as this Friday, October 23rd! A limited number of fan experience packages are also available! Various packages include premium seats, Heartbeats by Lady Gaga headphones, a limited edition version of The Fame Monster and even an opportunity to meet Lady Gaga! Click the tour dates below for the full details including on-sale dates for each city, and information on purchasing any of the VIP fan experience packages listed below!

11/28 – Toronto, ON
12/3 – Camden, NJ
12/9 – Vancouver, BC
12/10 – Vanoucver, BC
12/13 – San Francisco, CA
12/19 – San Diego, CA
12/21 – Los Angeles, CA
12/31 – Miami, FL
1/8 – Chicago, IL
1/9 – Chicago, IL
1/21 – Detroit, MI

MEET & GREET PACKAGE

Premium reserved seat within first two rows (or early admission for GA shows)
Meet & Greet with photo opportunity
Pre-show hospitality
Heartbeats by Lady Gaga headphones
Limited Edition Deluxe CD
Collectible laminate
Onsite event management staff

HOT SEAT PACKAGE

Premium reserved seat
Pre-show hospitality
Heartbeats by Lady Gaga headphones
Collectible laminate
Onsite event management staff

HOT BAND PACKAGE

General admission ticket with early entry
Pre-show hospitality
Heartbeats by Lady Gaga headphones
Collectible laminate
Onsite event management staff

Lady Gaga Announces Track List & Collector’s Edition Art Book of THE FAME MONSTER

kronaz — Sat, 31 Oct 2009 11:12:18 +0000

RE-RELEASE OF THE ALBUM INCLUDES DUET WITH BEYONCÉ

(Santa Monica, CA) – Lady Gaga announced the track listing for the eagerly-awaited re-release of her massively successful debut album, The Fame, entitled The Fame Monster. Included in the eight new songs is a duet with superstar Beyoncé, the Rodney Jerkins-produced “Telephone.” The album also includes production work from RedOne, Teddy Riley, Fernando Garibay and Ron Fair. The eight new tracks are:

· “Bad Romance”
· “Alejandro”
· “Monster”
· “Speechless”
· “Dance in the Dark”
· “Telephone” (duet with Beyoncé)
· “So Happy I Could Die”
· “Teeth”

She also announced today that she will release a collector’s edition art book of The Fame Monster. This version of the album will be released on December 15, 2009 and is the ultimate peek into the Haus of Gaga, spanning music, fashion, art, fans and juice. Each collector’s edition art book will be individually numbered and will include:

· A lock of Lady Gaga’s hair
· A collectable puzzle
· Pictorials
· A behind-the-scenes look at Gaga’s creative process
· Pull-out posters
· Themed fanzines
· A Lady Gaga paper doll collection
· 3-D glasses to view forthcoming visuals
· Personal notes from Lady Gaga

Browse the store for various packages including the collector’s edition art book and The Fame Monster releases, exclusive merchandise, Heartbeats by Lady Gaga headphones, Monster Ball VIP fan experience packages and more.

Official biography

kronaz — Wed, 28 Oct 2009 11:09:59 +0000

When Lady Gaga was a little girl, she would sing along on her mini plastic tape recorder to Michael Jackson and Cyndi Lauper hits and get twirled in the air in daddy’s arms to the sounds of the Rolling Stones and the Beatles. The precocious child would dance around the table at fancy Upper West Side restaurants using the breadsticks as a baton. And, she would innocently greet a new babysitter in nothing but her birthday suit.

It’s no wonder that little girl from a good Italian New York family, turned into the exhibitionist, multi-talented singer-songwriter with a flair for theatrics that she is today: Lady Gaga.

“I was always an entertainer. I was a ham as a little girl and I’m a ham today,” says Lady Gaga, 23, who made a name for herself on the Lower East Side club scene with the infectious dance-pop party song “Beautiful Dirty Rich,” and wild, theatrical, and often tongue-in-cheek “shock art” performances where Gaga – who designs and makes many of her stage outfits — would strip down to her hand-crafted hot pants and bikini top, light cans of hairspray on fire, and strike a pose as a disco ball lowered from the ceiling to the orchestral sounds of A Clockwork Orange.

“I always loved rock and pop and theater. When I discovered Queen and David Bowie is when it really came together for me and I realized I could do all three,” says Gaga, who nicked her name from Queen’s song “Radio Gaga” and who cites rock star girlfriends, Peggy Bundy, and Donatella Versace as her fashion icons. “I look at those artists as icons in art. It’s not just about the music. It’s about the performance, the attitude, the look; it’s everything. And, that is where I live as an artist and that is what I want to accomplish.”

That goal might seem lofty, but consider the artist: Gaga is the girl who at age 4 learned piano by ear. By age 13, she had written her first piano ballad. At 14, she played open mike nights at clubs such as New York’s the Bitter End by night and was teased for her quirky, eccentric style by her Convent of the Sacred Heart School (the Manhattan private school Nicky and Paris Hilton attended) classmates by day. At age 17, she became was one of 20 kids in the world to get early admission to Tisch School of the Arts at NYU. Signed by her 20^th birthday and writing songs for other artists (such as the Pussycat Dolls, and has been asked to write for a series of Interscope artists) before her debut album was even released, Lady Gaga has earned the right to reach for the sky.

“My goal as an artist is to funnel a pop record to a world in a very interesting way,” says Gaga, who wrote all of her lyrics, all of her melodies, and played most of the synth work on her album, The Fame (Streamline/KonLive/Cherrytree/Interscope). “I almost want to trick people into hanging with something that is really cool with a pop song. It’s almost like the spoonful of sugar and I’m the medicine.”

On The Fame, it’s as if Gaga took two parts dance-pop, one part electro-pop, and one part rock with a splash of disco and burlesque and generously poured it into the figurative martini glasses of the world in an effort to get everyone drunk with her Fame. “The Fame is about how anyone can feel famous,” she explains. “Pop culture is art. It doesn’t make you cool to hate pop culture, so I embraced it and you hear it all over The Fame. But, it’s a sharable fame. I want to invite you all to the party. I want people to feel a part of this lifestyle.”

The CD’s opener and first single, “Just Dance,” gets the dance floor rocking with it’s “fun, L.A., celebratory vibe.” As for the equally catchy, “Boys Boys Boys,” Gaga doesn’t mind wearing her influences on her sleeve. “I wanted to write the female version of Motley Crue’s ‘Girls Girls Girls,’ but with my own twist. I wanted to write a pop song that rockers would like.”

“Beautiful Dirty Rich” sums up her time of self-discovery, living in the Lower East Side and dabbling in drugs and the party scene. “That time, and that song, was just me trying to figure things out,” says Gaga. “Once I grabbed the reigns of my artistry, I fell in love with that more than I did with the party life.” On first listen, “Paparazzi” might come off as a love song to cameras, and in all honestly, Gaga jokes “on one level it IS about wooing the paparazzi and wanting fame. But, it’s not to be taken completely seriously. It’s about everyone’s obsession with that idea. But, it’s also about wanting a guy to love you and the struggle of whether you can have success or love or both.”

Gaga shows her passion for love songs on such softer tracks as the Queen-influenced “Brown Eyes” and the sweet kiss-off break-up song “Nothing I can Say (eh eh).” “‘Brown Eyes’ is the most vulnerable song on the album,” she explains. “‘Eh Eh’ is my simple pop song about finding someone new and breaking up with the old boyfriend.”

For the new tour for this album, fans will be treated to a more polished version of what they saw (and loved) at her critically acclaimed Lollapalooza show in August 2007 and Winter Music Conference performance in March 2008. “This new show is the couture version of my handmade downtown performance of the past few years. It’s more fine-tuned, but some of my favorite elements to my past shows – the disco balls, hot pants, sequin, and stilettos – will still be there. Just more fierce and more of a conceptual show with a vision for pop performance art.”

It’s been a while since a new pop artist has made her way in the music industry the old-fashioned/grass roots way by paying her dues with seedy club gigs and self-promotion. This is one rising pop star who hasn’t been plucked from a model casting call, born into a famous family, won a reality TV singing contest, or emerged from a teen cable TV sitcom. “I did this the way you are supposed to. I played every club in New York City and I bombed in every club and then killed it in every club and I found myself as an artist. I learned how to survive as an artist, get real, and how to fail and then figure out who I was as singer and performer. And, I worked hard.”

Gaga adds with a wink in her eye, “And, now, I’m just trying to change the world one sequin at a time.”

Lady Gaga

kronaz — Mon, 06 Apr 2009 21:53:50 +0000

When Lady GaGa was a little girl, she would sing along on her mini plastic tape recorder to Michael Jackson and Cyndi Lauper hits and get twirled in the air in daddy’s arms to the sounds of the Rolling Stones and the Beatles. The precocious child would dance around the table at fancy Upper West Side restaurants using the breadsticks as a baton. And, she would innocently greet a new babysitter in nothing but her birthday suit.
It’s no wonder that little girl from a good Italian New York family, turned into the exhibitionist, multi-talented singer-songwriter with a flair for theatrics that she is today: Lady GaGa.
“I was always an entertainer. I was a ham as a little girl and I’m a ham today,” says Lady GaGa, 22, who made a name for herself on the Lower East Side club scene with the infectious dance-pop party song “Beautiful Dirty Rich,” and wild, theatrical, and often tongue-in-cheek “shock art” performances where GaGa – who designs and makes many of her stage outfits — would strip down to her hand-crafted hot pants and bikini top, light cans of hairspray on fire, and strike a pose as a disco ball lowered from the ceiling to the orchestral sounds of A Clockwork Orange.
“I always loved rock and pop and theater. When I discovered Queen and David Bowie is when it really came together for me and I realized I could do all three,” says GaGa, who nicked her name from Queen’s song “Radio Gaga” and who cites rock star girlfriends, Peggy Bundy, and Donatella Versace as her fashion icons. “I look at those artists as icons in art. It’s not just about the music. It’s about the performance, the attitude, the look; it’s everything. And, that is where I live as an artist and that is what I want to accomplish.”
That goal might seem lofty, but consider the artist: GaGa is the girl who at age 4 learned piano by ear. By age 13, she had written her first piano ballad. At 14, she played open mike nights at clubs such as New York’s the Bitter End by night and was teased for her quirky, eccentric style by her Convent of the Sacred Heart School (the Manhattan private school Nicky and Paris Hilton attended) classmates by day. At age 17, she became was one of 20 kids in the world to get early admission to Tisch School of the Arts at NYU. Signed by her 20th birthday and writing songs for other artists (such as the Pussycat Dolls, and has been asked to write for a series of Interscope artists) before her debut album was even released, Lady GaGa has earned the right to reach for the sky.
“My goal as an artist is to funnel a pop record to a world in a very interesting way,” says GaGa, who wrote all of her lyrics, all of her melodies, and played most of the synth work on her album, The Fame (Streamline/Interscope/KonLive). “I almost want to trick people into hanging with something that is really cool with a pop song. It’s almost like the spoonful of sugar and I’m the medicine.”
On The Fame, it’s as if GaGa took two parts dance-pop, one part electro-pop, and one part rock with a splash of disco and burlesque and generously poured it into the figurative martini glasses of the world in an effort to get everyone drunk with her Fame. “The Fame is about how anyone can feel famous,” she explains. “Pop culture is art. It doesn’t make you cool to hate pop culture, so I embraced it and you hear it all over The Fame. But, it’s a sharable fame. I want to invite you all to the party. I want people to feel a part of this lifestyle.”
The CD’s opener and first single, “Just Dance,” gets the dance floor rocking with it’s “fun, L.A., celebratory vibe.” As for the equally catchy, “Boys Boys Boys,” Gaga doesn’t mind wearing her influences on her sleeve. “I wanted to write the female version of Motley Crue’s ‘Girls Girls Girls,’ but with my own twist. I wanted to write a pop song that rockers would like.”
“Beautiful Dirty Rich” sums up her time of self-discovery, living in the Lower East Side and dabbling in drugs and the party scene. “That time, and that song, was just me trying to figure things out,” says GaGa. “Once I grabbed the reigns of my artistry, I fell in love with that more than I did with the party life.” On first listen, “Paparazzi” might come off as a love song to cameras, and in all honestly, GaGa jokes “on one level it IS about wooing the paparazzi and wanting fame. But, it’s not to be taken completely seriously. It’s about everyone’s obsession with that idea. But, it’s also about wanting a guy to love you and the struggle of whether you can have success or love or both.”
GaGa shows her passion for love songs on such softer tracks as the Queen-influenced “Brown Eyes” and the sweet kiss-off break-up song “Nothing I can Say (eh eh).” “‘Brown Eyes’ is the most vulnerable song on the album,” she explains. “‘Eh Eh’ is my simple pop song about finding someone new and breaking up with the old boyfriend.”
For the new tour for this album, fans will be treated to a more polished version of what they saw (and loved) at her critically acclaimed Lollapalooza show in August 2007 and Winter Music Conference performance in March 2008. “This new show is the couture version of my handmade downtown performance of the past few years. It’s more fine-tuned, but some of my favorite elements to my past shows – the disco balls, hot pants, sequin, and stilettos – will still be there. Just more fierce and more of a conceptual show with a vision for pop performance art.”
It’s been a while since a new pop artist has made her way in the music industry the old-fashioned/grass roots way by paying her dues with seedy club gigs and self-promotion. This is one rising pop star who hasn’t been plucked from a model casting call, born into a famous family, won a reality TV singing contest, or emerged from a teen cable TV sitcom. “I did this the way you are supposed to. I played every club in New York City and I bombed in every club and then killed it in every club and I found myself as an artist. I learned how to survive as an artist, get real, and how to fail and then figure out who I was as singer and performer. And, I worked hard.”
GaGa adds with a wink in her eye, “And, now, I’m just trying to change the world one sequin at a time.”